All posts by Raven

Michael Jackson’s Halloween: Scary Enough?

“Are You Scared Yet?”

On July 11, after much fanfare and teasing, a new project from the Michael Jackson estate was officially announced.

 

by Denise Petski

Michael Jackson’s Halloween, a new, hourlong animated special, featuring the King of Pop’s music as its soundtrack, will premiere this fall on CBS.

Created and produced by Optimum Productions, the Michael Jackson company now owned by his estate, the special will feature the voices of actors Christine Baranski, Kiersey Clemons, Alan Cumming, George Eads, Brad Garrett, Lucy Liu, Jim Parsons and Lucas Till.

The special follows millennials Vincent (Till) and Victoria (Clemons), who meet “accidentally” on Halloween night and find themselves, along with Ichabod the dog, at a mysterious hotel located at 777 Jackson Street called This Place Hotel. Once inside, Vincent and Victoria are sent on an unexpected, magical adventure of personal discovery, culminating in a spectacular dance finale featuring an animated Michael Jackson.

John Branca and John McClain, co-executors of the Estate of Michael Jackson, serve as executive producers. Daniel Chuba is the producer and Mark A.Z. Dippé is the director.

Many, including myself, presumed we were finally building up for the official announcement of the long promised Thriller 3D film project. Alas, although that was not to be for this go-round, we still have a project that is centered around a Halloween theme. (Update: Thriller 3D has been scheduled to premiere at the Vienna Film Festival August 30-September 9).  However, the announcement had no sooner been made than a barrage of negative reactions swiftly engulfed social media. That’s really no surprise. These days, the announcement of any major MJ-related project is usually a polarizing affair, but this project, in particular, seems to have elicited a lot of strongly negative reactions-somewhat inexplicable, I think, given the overall benign nature of this project. Sure, it’s not Thriller 3D or Dangerous25 (a project that many were hoping to see come to light) but what could possibly be so wrong with an hour long animated special on a major network, featuring Michael Jackson’s best known dark themed works?

Well, the answer to that question is quite complex, and to fully understand it, one must take into account how deeply divided the fan base has become over the estate executors and how deeply that issue of trust vs. mistrust has become, especially when it comes to A: Projects that profit off of his legacy, and B: How that legacy is being handled.  As I have emphasized many times, I have always been and remain neutral when it comes to the politics surrounding the fandom and estate. Overall, I believe the estate has made some smart moves when it comes to preserving Michael Jackson’s legacy (This Is It,  the Cirque du Soleil Immortal show and One) but also some major missteps. The controversy over the Michael album has forever tainted any posthumous music releases, and the insistence on “contemporizing” Michael’s music (rather than simply allowing the tracks to stand on their own merit) has not helped matters. True, they did manage to wrangle a Top Ten hit with the updated “Love Never Felt So Good” but, for the most part, there have been far more misses than hits with the estate’s attempts to ignite interest in a posthumous musical career for Michael Jackson. In a recent article, in fact, it was stated that there were no future plans to release anymore music from the vaults. That is a downright shame, as they are still sitting on a ton of unreleased gems that many fans want to hear. There is certainly still a market for unreleased MJ tracks; it’s just that fans want these tracks, for the most part, in their raw but pristine state, not over produced by a Timbaland or L.A. Reid to try to mimic everything else on the radio these days.

I think it may be safe to assume, then, that the estate has not had a very good track record for its management of Michael Jackson’s posthumous musical output. I’ve said many times, if they had simply combined the best of the unreleased tracks on Michael (minus the controversial Cascio tracks) and the best of the demos that made it onto Xscape, they could have had a great posthumous MJ album. The tragedy is that, between the insistence on including debatable tracks (which weren’t exactly great tracks to begin with) and the insistence that every MJ track must somehow be “updated” to compete in today’s market, the estate has pretty much blown any confidence that fans may have once had in their ability to successfully market a musical career for Michael Jackson beyond the grave. And here we can certainly add that this shaky confidence has not been helped by the loss of the Sony/ATV catalog, nor the little matter of that 750 million dollar debt with Uncle Sam (which I will still be addressing in due time).

However, when it comes to the musical legacy that Michael created in his lifetime-those seven adult solo albums and the many classic tracks they yielded-the outlook has been much brighter. Clearly, public demand for those songs isn’t apt to disappear any time soon, and it is in the continued public demand for those songs-as well as the continued popularity of Michael’s brand and image-that largely keeps the estate’s bread buttered. The estate’s marketing of Michael Jackson’s known works has been for the most part successful, though still occasionally marred by some questionable choices (for example, licensing the use of “Bad” for Angry Birds, a move that many felt reduced the track’s powerful political message to a silly rumble between cartoon birds). Indeed, these are the kinds of arguments and debates that continue to drive the polarization of the fandom over most estate decisions. Inevitably, some are going to argue that these decisions cheapen the message of his songs and will ultimately water down the impact of his legacy, while others argue-just as vehemently-that this is exactly the kind of exposure that will keep his music, image, and memory alive for future generations.  Both arguments have their validity, and this brings me to today’s topic. Michael Jackson himself was an artist who constantly balanced the often polarizing extremes of artistic purity on the one hand, and commercialism on the other (Michael did love sales, and anyone who would wish to argue that sales did not matter to him is sadly deluded). This fact is partly what makes the posthumous marketing of Michael Jackson product a particularly challenging affair. The balance between “what Michael would have wanted,” “how Michael would have done it” and what is going to keep fans and consumers happy is a constant challenge. Even this aspect raises another interesting question: With the wealth of material and projects left behind by Michael Jackson that were completed-but have yet to receive their due-do we really need new projects that have nothing to do with him other than the lending of his name?  Here in particular (especially since we are talking a Halloween special) I am referring to the short film Ghosts,  a film whose re-release fans, including myself, have spent years clamoring for. As far as the general public is concerned, many are still unaware of this 1997 closet classic, which given the right promotional push and a little updated HD magic, could certainly still captivate a modern audience. Personally, I would love, love love to see Ghosts re-released as a major broadcast special.

However, I do think that in all fairness, we have to consider the uphill battle that the estate is against. There are some factions simply waiting to tear down and rip to shreds anything the estate does, regardless of rhyme or reason. As soon as the announcement hit, many of the reactions across social media were viscerally over the top. Granted, I think much of the negative reaction has stemmed from a long series of gradually building disappointments over estate projects, but I’m just not sure that there is anything in the idea of a Halloween cartoon special to warrant so many hostile reactions, even if, granted, the announcement of the project may not have warranted such a major buildup. This post is not intended as an outright defense of the project-which, granted, could still turn out to be a disaster-but I would like to directly address some of the criticisms that the project has raised, and why I don’t necessarily agree with all of them. For starters, a point to consider is that this is going to be a major network broadcast, which in itself speaks volumes about the renewed faith in the Michael Jackson brand. Obviously, its target audience is going to be kids, and the plan seems to be that this might develop into one of those perennial seasonal projects that returns year after year. That will depend, of course, on ratings and the overall quality of the program, all things that have yet to be proven, but the fact that CBS is willing to take its chances and broadcast a Michael Jackson themed special geared towards children speaks volumes about how far the healing process has come in the re-branding of Michael Jackson.

A recent Inquisitir article by journalist Jonathan Brown summed it up perfectly:

WHY I’M ‘THRILLED’ THAT A MICHAEL JACKSON ANIMATED SPECIAL IS HAPPENING THIS YEAR [OPINION]

Michael Jackson was pretty special to a lot of people.

Special enough, in fact, that a little more than eight years after the sudden, saddening loss of the Grammy-winning music genius, a Halloween-themed animated special centered on the beats, pops, and vocal effects that the 50-year-old left to the planet in the wake of his death, will air later this year, just in time for the annual boo-fest.

And for the record, I couldn’t be prouder, happier, and just about moved to tears to learn of this news. And also, no, I am not ashamed to own or publicize my tears. In fact, the world probably could do better with owning their feelings, kind of like Michael tried to teach all of us through his music.

But, I digress.

The reason why the news of CBS’ plan to air the one-hour long cartoon special, Michael Jackson’s Halloween, themed around the only album that could go with it, Jackson’s seminal Thriller; an album that still charts at least once a year on the Billboard Top 200 (along with a mix of MJ compilations that always include some, if not all, of the seven singles released from the nine-song long 1982 recording), is wonderful to yours truly is for one reason and one reason only.

It means that despite everything that most of us have heard about him, the thing that made Michael Jackson special; his gift of music, has finally found a way to outwit, outrun, and outlast the gossip.

And you know of the gossip, I’m sure. The many whispers. The ones that, just this week, began to hit the headlines again for the umpteenth time since the special Michael Jackson departed this Earth. Whether you believe those rumors or not is up to you, but what I believe at this moment is that for the first time since they’ve been uttered, they’re not the only focus of Michael Jackson being in the headlines.

michael jackson special
A new animated special themed around Michael Jackson’s legendary ‘Thriller’ album will air on CBS this fall. [Image by Justin Sullivan/Getty Images]

Right now, it’s also about his music. Right now, there’s also talk about whether the album is too dated for present times for a television show in 2017, or whether anyone wants to actually see a Michael Jackson Halloweenanimated special in 2017, some fans included — and no, there’s not actually wrong with having a third, for the record (following the short films for Thriller and Ghosts, of course).

But with that said, with the storm finally starting to lift on the life of someone who was far too special than anyone ever could’ve imagined, perhaps now, we can finally begin to get back to Michael Jackson’s ultimate dream of making the world a better place through his forever-amazing music.

michael jackson special
[Image by Getty Images]

Perhaps now, the young kids who this Michael Jackson animated special in geared toward, won’t grow up only knowing of him as the “joke” their parents made him out to be.

Perhaps they can be the ones to carry his music and magic over to the next generation without the shame and/or judgment that came along for us with standing by the belief that the King of Pop, Michael Joseph Jackson, the blessed son of Katherine and Joe Jackson, brother of Janet, Tito, Marlon, Randy, Rebbie, Jackie, Jermaine, LaToya, and the late Brandon, father of “Prince” Michael Jr., Paris-Katherine and Prince Michael Jackson II, whom he affectionately relayed to as Blanket for the “blanket” of love that he felt for his children, was actually a good guy.

Maybe now, in 2017, we can start reminding the world just how loving, wonderful, magical, powerful, inspirational, and special Michael Jackson truly was.

And it can all begin, ironically and finally, with a Michael Jackson animated special in 2017.

[Featured Image by Junko Kimura/Getty Images]

To add my own after thoughts to this, being “moved to tears” over this project may be a bit hyperbolic but Brown does bring up an interesting point that cannot be emphasized enough. The news of this special hit the same week that the Jimmy Safechuck case was officially dismissed, resulting in yet another round of media attacks by a desperate Vince Finaldi in order to salvage whatever chance the Robson case may have.  In the wake of Finaldi’s revenge, the fact that CBS would be broadcasting a Michael Jackson Halloween special was still considered by mainstream media as the bigger story. This is a positive no matter how you slice it, but I would still like to move beyond this (to some extent it is a given that Michael’s art will always trump the tabloid trash) to, rather, addressing some of the direct concerns about the artistic merits–or lack thereof–of this project.

By far one of the biggest criticisms the project has raised is the fact that it is a cartoon. Many of the harshest criticisms I saw could basically be summarized as the estate reducing Michael Jackson’s legacy to an animated cartoon, and how insulting this is for a serious artist. Considering Michael’s own love for animation (heck, we are talking the guy whose dream was to purchase Marvel comics!) I find these kinds of criticisms particularly baffling. Certainly Michael had always loved incorporating these kinds of fantastical, often animated, elements into his work. We know he was a huge fan of Walt Disney, that he loved comics, that he loved the idea of casting himself as these kind of comic, “Superhero” characters. In fact, a very good discussion on a recent MJ Cast episode addressed this very issue, as various points were raised both pro and con regarding the upcoming special and the entire Thriller 35 promotional campaign (of which, supposedly, this project is just one of several planned–we hope, anyway). We also know that a plan for a television Halloween special, to be broadcast on CBS,  was already being proposed as part of Michael’s planned “comeback” following the This Is It residency. However, this would have shaped up (according to Michael’s plan, at least) as something very different from the current project (though that isn’t to say that the current project bears at least some similarity in spirit). The plan that Michael drafted with Randy Phillips would have been a reworking of his “Thriller”/”Ghosts”/”Threatened” segment from the This Is It shows. Michael very much wanted to reintroduce the world to Ghosts, and the plan had been to include footage from the classic 1997 film.

The Halloween Special Jackson Was Planning For CBS Would Have Recreated Elements From His This Is It “Thriller/Ghosts/Threatened” Sequence

So the argument that this was something Michael had already planned before his death does have validity, but then becomes one of those pesky “yes, but…” kind of questions that will drive you bonkers if you find yourself drawn into a debate over it. Yes, a Halloween special was in the cards and on the drawing room table, but the actual product that Michael envisioned making would have been very different from the project that it now looks as though will actually materialize.

But in all fairness, we still have to come down to the obvious. Michael Jackson didn’t live to do his planned spectacular “Thriller”/”Ghosts”/”Threatened” segment on tour, let alone to oversee the production of this proposed Halloween special, which I’m sure would have been something quite wondrous to behold. And it goes without saying that he is not here to actually host the program as he had intended. So what to do? Well, either the idea could die with him and wither away in the vault, or the estate could try to find a way to at least partially realize this vision. Again, some will call it exploitation and others will see it as keeping his brand alive, and these days there isn’t much room for middle ground in these debates. The real challenge-and ultimate test-will be in how well the project is actually pulled off.

To that end, I have no crystal ball and certainly can’t predict how this project will play out. As it gets closer to the broadcast date, I’m sure we may start to see some trailers and other teasers that may give us a better idea of what to expect. But in the meantime, here are some points of concern that have been raised and some possible points of refutation to consider (as Michael would say, all for love, of course).

Point #1: The estate is treating Michael like a joke by reducing him to a “cartoon”:

I saw a deluge of social media outrage over the idea of portraying Michael as a cartoon. I think for many, the idea conjures up recent associations such as the hologram fiasco. However, I don’t think there is anything intrinsically wrong with giving us either an animated Michael Jackson special, or for that matter, an animated Michael. We already know that Michael was a huge fan of animation. What’s more, a lot of younger fans (particularly those only born in the 80’s and 90’s) seem to have forgotten that many of us who grew up with The Jackson 5 also grew up with seeing Michael as a weekly, Saturday morning cartoon. The Jackson 5 cartoon was a huge favorite of fans in the early 70’s.

True, we might argue that Michael himself didn’t exactly  have much say or control over his career and image at that time (he was only a kid) but in one of his taped conversations with Rabbi Schmuley Boteach (which made it into Boteach’s 2009 The Michael Jackson Tapes) the adult Michael gave us some interesting insight on how he felt about being a Saturday morning cartoon figure:

It is very interesting here that Michael states being a part of that cartoon series was something he felt “more special about” than all of the “hit records and concerts.” He stressed the importance of the connection to children around the world, who were still watching The Jackson 5 cartoon a generation later (and no doubt are still watching it today).  Michael’s own words certainly leave little doubt how he felt about being a “cartoon figure.” He certainly didn’t view it as something demeaning or as something that belittled his image, but said, in fact, he thought it was one of the coolest experiences of his life.

Point #2: They would not do this to someone considered a “serious” musician or artist. This is proof of the estate’s ongoing refusal to take Michael Jackson seriously:

But really? I could point to at least half a dozen examples that outright refute this argument.  The most obvious, of course, would be The Beatles, who not only got the cartoon treatment in their 1968 classic Yellow Submarine but also, like The Jackson 5, as a Saturday morning cartoon. (The Osmonds, likewise, had a stint as a Saturday morning cartoon, though I suppose there could be room for debate as to whether The Osmonds count as “serious” musicians!).

But certainly being made into cartoon figures didn’t reduce the artistic status of John Lennon or Paul McCartney, so again, there is no reason to jump to the knee jerk assumption that such a project is somehow cheapening his legacy. (However, with that being said, we can still argue, Yes, but…The Beatles did maintain some degree of creative control over projects like Yellow Submarine and therein lies all the difference in the world. To that, I would say it is definitely a valid point, but The Beatles’ actual input into the finished project was actually quite minimal, as they considered the vehicle more as a convenient and quick way to wrap up their three picture commitment to United Artists).

Point #3 This project doesn’t even feature Michael Jackson until the very end. His image is nowhere to be seen in the promo. Is the estate trying to “erase” Michael Jackson from his own brand?

Where IS Michael Here? That’s The Question Some Are Asking.

Again, this was an interesting question raised on the MJ Cast webisode I linked to earlier. We are being promised that an “animated Michael Jackson” will make his appearance at the end of the special, but it seems that until then, we will simply be making do with Vincent, Victoria and “Ichabod the dog” having various spooky adventures in a haunted house (albeit, presumably, to a Michael Jackson soundtrack) for nearly an hour. This could go either way, I suppose. On the one hand, it could be a very satisfying and climactic buildup to the big moment when “MJ” actually makes his grand appearance. OR it could have the opposite effect of simply reducing his grande finale performance to a footnote at the end. Again, much is going to depend on how well the project is ultimately put together, and will the big payoff at the end be worth it? If it becomes just an hour of two animated teens having silly, lame adventures and the finale falls flat, the project will be sunk. So obviously a lot is riding on how well that finale comes off.

The premise can work IF (But Only IF) the grande finale pays off.

On the other hand, it does appear that Michael’s “presence” as such will certainly be a factor throughout the program, not only the music, of course, but in all of the various allusions to his song titles and films. It seems that at least part of the idea is that these two “millenials” will not immediately make the connections, but of course they will be very obvious winks and nods to those of us old enough to remember.

As to whether the promotional ad is a deliberate attempt to erase Michael’s image from the project, or simply to preserve the element of surprise at the end, I can’t say. I would certainly hope that it is the latter. A mystery still remaining, however, is which “era” Michael we will get when he finally does appear at the end. Is it going to be “Thriller” era Michael? Or the “Ghost” era Maestro? Or something else altogether? The one argument I would buy is that it seems the estate has continued to push “Thriller” era Michael as its brand of choice, while ignoring or downplaying much of his later, more controversial work. And it may explain in part why Dangerous 25 has been all but trumped by Thriller 35. Clearly, we know there is a very large percentage of Michael Jackson fans who remain nostalgic for 80’s era Michael, pre-vitiligo, pre-political, and pre-controversial. Is the estate catering to that faction? It would not surprise me, although we also have to remember that Bad25 was largely a commercial flop because it did not receive sufficient fan support (again, we had about roughly half the fan base actively boycotting it as an estate project) so there is that argument to be considered, and again, may have a lot to do with why no Dangerous 25 project has materialized.

For now, I am willing to give Michael Jackson’s Halloween the benefit of the doubt. My initial gut reaction to the announcement was, “It seems like a cute idea, but I’m not blown away.” As I have continued to emphasize, everything is going to depend on how well the idea is actually executed. But I would say that certainly at this point, the estate cannot afford another disappointing output. The likelihood that this is going to be something brilliant is pretty slim, but at the very least, if done right, it may turn out decently enjoyable. The sad irony here, of course, is that Michael Jackson, as we all know, was the master of perfection who never settled for mediocrity.

On the positive side, I do have much higher hopes for Thriller 3D which may possibly see a theatrical release in conjunction with the TV special. In any event, Halloween 2017 is shaping up as the season of Michael. It will be interesting to see how these projects play out. Duds or classics, the proof will be in the pudding-the pumpkin pudding, that is.

The Jury Speaks: A Mockumentary of The Michael Jackson Trial, Or A Fair Perspective?

The Double Jeopardy Law Apparently Doesn’t Exist When It Can Be Masked As “Entertainment”

There has certainly been no shortage of Michael Jackson news the last few weeks! While I plan on delving into all of these recent developments in due course, I feel it is urgent that I begin with the most timely, since the Oxygen channel’s four part series on high profile celebrity criminal cases, The Jury Speaks, is set to kick off with its opening episode on the O.J. Simpson murder trail on Saturday, July 22, with the Michael Jackson episode following on Sunday, July 23.

Generally, it can be expected that any show purporting to dredge up the 2005 trial can’t be good news-unless, of course, its primary goal is to finally shed some much needed light on the under reported defense side of the case. Since many fans were led to believe that this was indeed going to be the case-or that at the very least, this would be a fair and balanced documentary on the trial, the sword of betrayal that many fans felt, including myself, after viewing the series trailer felt especially eviscerating.  Granted, the episode has yet to air and it may not prove to be as bad as the trailer suggests (as usual, the trailer for the series has been designed as salacious click bait, highlighting only the most controversial sound bites of the series) but given the show’s overall premise, coupled with the fact that it appears that the “star” juror from the case to be interviewed will be Raymond Hultman, one of two rogue jurors who later publicly recanted the “Not Guilty” verdicts when bribed with a book and movie deal (neither of which ever materialized), fans have every right to feel outraged-and also every right to feel justifiably concerned with the manner in which Oxygen plans to “re-try” these cases, as this essentially does seem to be the show’s major premise.

So let’s address that premise.  The series will cover four cases in which the nation was shocked by “Not Guilty” verdicts-O.J. Simpson, Michael Jackson, George Zimmerman, and Robert Durst. In each episode, the jurors will discuss details of the cases, as well as why they voted as they did. Since this is essentially just another form of reality TV (i.e, this is for “entertainment” rather than education) we can expect lots of drama and conflict to ensue between the respective jurors as they hash out old (and no doubt personal) battles that are probably best left behind closed doors. At some point (not sure if this will be a feature of each episode or a one-time event to occur at the end of the series) each of the jurors will be asked to vote once again whether they believe the subject to be “Guilty” or “Not Guilty.” The idea is something like this: If you had it to do over, would you vote the same way? Yes or no?” This is why I say the show is basically all about putting these subjects on trial all over again.  Even though it may well be “for entertainment purposes only” and obviously has no bearing on the verdicts in the real world, the producers’ modus operandi is blatantly obvious-to find out if, given a second chance, along with weighing both old and new “evidence,” (note quotation marks!) these jurors would vote to convict. Obviously, they are betting that many of them will (after all,  it wouldn’t make for very compelling drama if they simply said, yep, we got it right the first time).

I can’t speak for the other three trials because I didn’t follow those cases as closely, but for the Michael Jackson case, such a premise could be especially damaging. It’s not that I have any fear of the case being revisited. The facts of the case-a case so blatantly absurd that Mesereau spoke the truth when he said it should never have gone to trial-can certainly still hold up to scrutiny. But that is provided that the facts are presented accurately, that no exculpatory evidence is purposely or accidentally omitted, and that the coverage is not skewered or slanted with an obvious bias in favor of the prosecution’s case. Obviously readers know where I’m going with this. If the trailer and PR articles are any indication, there’s no reason to believe that balance or fairness-or, for that matter, accuracy-is going to play any part in this production. Basically, it would seem that we can expect to see the 2005 media version of the trial-you know, the version that led the ignorant masses in 2005 to assume his guilt because they weren’t inside the courtroom. What’s more, it looks like they plan to bring in the more recent Wade Robson and Jimmy Safechuck  allegations as added fuel to the fire:

But now, after the emergence of new accusers and hard truths about Jackson’s troubled childhood and tragic death, do they stand by their decision today?-excerpted from Oxygen.com.   

Well, with Ray Hultman at the helm cheering them on, we need not guess how that is going to fly!

So as you may guess, my concern for this program is the same concern that many fans are sharing right now. It’s not that there is anything to fear from the case being revisited or discussed if done in a factual and educational manner.  The 2010 Frozen in Time seminar, for instance, was an excellent example of how the Michael Jackson trial could be deconstructed in a factual and balanced manner for educational purpose.

Thomas Mesereau Speaking At The Frozen In Time Seminar In 2010

But I do very much have concerns about the likely possibility that this program is simply going to sensationalize and distort facts to a public that is already woefully under informed, both about this trial and the reasons for its resultant 14 “Not Guilty” verdicts. I am rightfully concerned that their plan is to simply sensationalize the details of the trial for ratings, and that the exculpatory evidence that rightfully exonerated Michael will be either downplayed or, worse, ignored altogether. Michael Jackson fans are no strangers to how the media works, and we know all too well how the media will manipulate, edit and distort to paint the picture they want. Let’s be honest: The premise of this show isn’t simply to reexamine or reevaluate these trials to understand how the jurors got it right, or even “if” they got it right. Rather, it seems purely for the purpose of reopening and exploiting old wounds while egging on the substrative premise that, indeed, the jurors did get it wrong. In every case, they have chosen subjects who were voted guilty in the court of public opinion, and the entire series seems nothing more than a cheesy attempt at further exploiting those perceptions.

The premise is doubly disturbing because the Michael Jackson case, unlike the others, was not a clear case of celebrity acquittal or failure to convict due to some legal loophole or technicality. This was not a case like the Simpson case where one could point to a clear cut motive, or the Zimmerman case in which national outrage had been sparked over the killing of an unarmed teenager (and for whom it was never up for debate that Zimmerman had killed; only his motivation for doing so), or Robert Durst who supposedly even confessed to killing his wife. Although I understand the national cynicism and skepticism that has surrounded many of these high profile acquittals, the simple fact remains that Michael Jackson’s case stands unique in the amount of exculpatory evidence that exonerated him.  The many reasons why The People vs. Michael Jackson cannot be put into the same classification as The People vs. O.J. Simpson (or any other  high profile celebrity crime cases)  is a topic that I touched on in far greater depth in my last Huffington Post piece so I will provide the link to that article in the interest of avoiding the need to repeat myself here. However, the topic of trial-by-media is certainly one that remains relevant. In the wake of even more recent celebrity scandals and controversial verdicts (the mistrial of Bill Cosby and the alleged sex ring scandal of R. Kelley coming to mind) we have seen time and again how the ill informed love to lump Michael Jackson’s name among them, as if they all merely constitute the same category. And always, inevitably, they do so with no preponderance of the actual circumstances and/or differences of the cases. In this era of “Guilty Until Proven Innocent”-a slogan fueled by the tabloid, medialoid, and yellow journalism ethics under which we now operate-we are driven by an ever insatiable thirst for celebrity blood.

They’re Throwin’  Me In A Class With A Bad Name”-Michael Jackson

The choice of Ray Hultman as the representative juror of the Michael Jackson case should certainly raise some alarms. Although it appears that other members of the jury will be included, it is Hultman’s remarks that were purposely chosen to provide the sound bites on the Jackson segment in the series trailer. Given that there were twelve men and women on the jury, this obviously comes down to which jury members were willing to go on camera-again-after twelve years, to discuss the case.

Eleanor Cook Was Among Six Jurors Interviewed For “Good Morning America”. This Was Her Speaking Before Acquiring Her Promised Book and Movie Deal.

Most of the jurors who served on the Michael Jackson case were humble, ordinary citizens who, after the grueling five month ordeal, simply wanted to return to their lives. That is, all but two who evidently loved the spotlight just a little too much to give it up.

Eleanor Cook and Ray Hultman, The “Rogue” Jurors Of The Michael Jackson Trial, During Their MSNBC TV Appearance In 2005

Within two months of the verdict, Ray Hultman and Eleanor Cook had both sought book deals, and the only way they could secure those deals was by delivering controversy.  They could only “sell” their stories and continue to milk the celebrity status that the trial had given them by changing their story of Jackson’s case from one of “Not Guilty” to “Guilty.” In August of 2005, both Cook and Hultman gave an exclusive interview to Rita Cosby of MSNBC. This was an AP article of the time that discussed their appearance (added emphasis in red is mine):

2 jurors say they regret Jackson’s acquittal

Jackson’s defense attorney ridiculed the two, who spoke exclusively with MSNBC’s Rita Cosby, saying it was “time to move on” from the case.

“The bottom line is it makes no difference what they’re saying,” Tom Mesereau told The Associated Press, pointing out the jurors announced their turnaround Monday as they began publicizing book deals.

“Twelve people deliberated and out of that process justice is supposed to result. Now, two months later, these jurors are changing their tunes. They clearly like being on TV,” Mesereau said. “I’m very suspicious.”

Eleanor Cook and Ray Hultman revealed in a televised interview that they believed the singer’s young accuser was sexually assaulted.

“No doubt in my mind whatsoever, that boy was molested, and I also think he enjoyed to some degree being Michael Jackson’s toy,” Cook said on MSNBC’s “Rita Cosby: Live and Direct.”

Their comments will have no bearing on the verdict, which prosecutors cannot appeal.

Threat from jury foreman?Cook and Hultman said they agreed to go along with the other jurors when it became apparent that they would never convict the pop star. The two denied being motivated by money and tried to explain why they were coming forward now.

“There were a lot of people that were interested in this case from day one. People expect to know what’s going on with their justice system and how things work,” Hultman said.

Added Cook: “I’m speaking out now because I believe it’s never too late to tell the truth.”

Cook and Hultman also alleged that jury foreman Paul Rodriguez threatened to have them kicked off the jury.

“He said if I could not change my mind or go with the group, or be more understanding, that he would have to notify the bailiff, the bailiff would notify the judge, and the judge would have me removed,” Cook said in a transcript provided by MSNBC.

Hultman said he also felt threatened and didn’t want to get kicked off the trial.

A call to Rodriguez was not returned. A jury foreman cannot remove other jurors just for disagreeing.

Cosby asked Cook if the other jurors will be angry with her.

“They can be as angry as they want to. They ought to be ashamed. They’re the ones that let a pedophile go,” responded Cook, 79.

Upset at other jurors
Hultman, 62, told Cosby he was upset with the way other jurors approached the case: “The thing that really got me the most was the fact that people just wouldn’t take those blinders off long enough to really look at all the evidence that was there.”

The New York Daily News first reported Aug. 4 that Hultman and Cook planned books and believed Jackson was guilty.

Hultman has said that when jurors took an anonymous poll early in their deliberations he was one of three jurors who voted for conviction.

On June 13, the jurors unanimously acquitted Jackson of all charges, which alleged that he molested a 13-year-old boy, plied the boy with wine and conspired to hold him and his family captive so they would make a video rebutting a damaging television documentary.

Cook told Cosby: “The air reeked of hatred and people were angry and I had never been in an atmosphere like that before.”

In June, Hultman told the AP about the verdict: “That’s not to say he’s an innocent man. He’s just not guilty of the crimes he’s been charged with.”

During an appearance on ABC’s “Good Morning America” with five other jurors in June, Cook was one of three who raised their hands when asked if they thought Jackson may have molested other children but not the 13-year-old boy.

“We had our suspicions, but we couldn’t judge on that because it wasn’t what we were there to do,” she said at the time.

Hultman’s book will be called “The Deliberator” and Cook’s is “Guilty as Sin, Free as a Bird,” said Larry Garrison, a producer who is working with both on their separate books and a combined television movie. Part of the profits from their book sales will go to charity, he said.

Note that I highlighted Eleanor Cook’s comments above, not because I agree with them, but because I think the entire comment (aside from being very, very weird) sheds some interesting light on how she felt about pretty much everyone involved in this case. Throughout the proceedings, her demeanor was pretty much that of a grumpy old grandma who didn’t particularly like anyone involved in this case-prosecution or defense, it didn’t seem to matter. In this case, her obvious detest for Michael Jackson and his lifestyle, perhaps, was only outweighed by her absolute detest for the Arvizos, which she never made any secret. In one television interview, she spoke openly about her disdain for Janet Arvizo and her habit of snapping her fingers at the jury. Her comment to Rita Cosby is interestingly telling, in that she obviously didn’t feel much sympathy for Gavin even as an alleged “victim.’

Another interesting tidbit: While it is Hultman who loves to toss around the phrase “the blinders came on” (he used it here and is quoted using it again in the Oxygen promo) the second quote I have highlighted reveals that he formed his own bias very early in the deliberations (no doubt during the prosecution testimony) and then evidently must have put on his own blinders, refusing to listen as each prosecution witness in turn crumbed under cross examination.

The next highlighted quote reveals something of Hultman’s own savior/victim complex. He loved the idea of selling himself to the public as the “lone juror” who held out for truth and justice, but the reality is that he seemed to love the attention much more. He never specifies what “people” were angry with him, or why. In the Oxygen promo, he mentions receiving threats and the obvious inference is that the hate mail must have come from Michael Jackson fans. However,  the passion of MJ fans is a glaring red herring that has absolutely nothing to do with the actual case.

Lastly, we see that Hultman and Cook were hand in hand, obviously working with the same producer on a deal that was supposed to yield them two separate books AND a combined television movie! All in all, it was a deal that would have netted them quite a handsome profit. It gets better, though, because apparently longtime Michael Jackson hater Stacy Brown (singlehandedly responsible for planting many of the vilest stories on Michael in the media for the past decade) was on board to serve as the book’s ghost writer. The deal apparently fell through, however, when leaked passages revealed that Brown had plagiarized the “work” of yet another notorious MJ hater-Maureen Orth, apparently having lifted large chunks from her Vanity Fair article.  Hilariously, even the slimy Stacy Brown ended up tossing Hultman under the bus before the whole ordeal had ended! In a 2005 Santa Maria Times article,  Stacy Brown publicly denied any association with Hultman’s book and was quoted as saying:

“I think this is another attempt for Ray to keep himself in the media,” Brown said. “No one is interested in his book. He was badly misguided. He/d be better off riding into the sunset and getting on with his life.”

That these two would have even considered relying on Maureen Orth’s nonsense (remember, she was the one claiming that Michael had engaged in secret voodoo rituals to hex Steven Spielberg!) speaks volumes about the contents of this thankfully never birthed monstrocity. So apparently, instead of relying on the evidence and testimony of the trial, it seems the plan was to fill the book with tabloid nonsense. This was exactly the same tactics that Wade Robson’s attorneys are using now. In the case of Hultman and Brown, it seems they weren’t sorry for anything other than the fact that they got caught in the act of fabricating “evidence” from a source even more ridiculous than anything they could cook up on their own. And now,  Hultman’s decision to participate in The Jury Speaks makes it quite clear that after twelve years, he still hasn’t been willing to take Stacy Brown’s advice and just ride off into the sunset (one only wishes that Stacy Brown would likewise apply his own advice to himself!).

In September of 2005, legal analyst Jonna Spilbor blasted Eleanor Cook and Raymond Hultman in a scathing article that called to task jurors who are seduced by the almighty dollar, or as she put it, jurors who attempt to “profit from their duty.” As Spilbor pointed out in 2005, what Hultman and Cook did was more than reprehensible-it was also illegal!

When The Jury Has Spoken, But Won’t Shut Up:
How the Jackson Jurors’ Book Deals Broke the Law, and How We Can Avoid Having Jurors Undermine Their Own Verdicts

By JONNA M. SPILBOR

Thursday, Sep. 01, 2005

By now, there probably isn’t a single Earth-dweller who doesn’t know Jackson was acquitted following the fifteen-week trial. The jury of four men and eight women rendered a collective “not guilty” verdict to each and every charge. And their verdicts rang out loud and clear across a courtroom which, at times, seemed more like a battlefield.

Several weeks have since passed, most of them quietly – appropriately so – as Jackson’s across-the-board acquittal literally means this case is closed. The jury has spoken, and frankly, there is nothing left to say.

Why then, won’t Jackson’s jury shut up?

Less than two months after clearing Michael Jackson of all charges, jurors Ray Hultman and Eleanor Cook have come forward publicly to announce they made a mistake. In their words, they feel Jackson’s jury “let a pedophile go.”

Cook has reported being “bullied” into her not-guilty verdicts – all fourteen of them.

Hultman claims his conscience has gotten the better of him. At least, so says his publisher.

Whether these claims are publicity stunts, or genuine revelations, the world will never know, because, as has been the case since time in memoriam, jury deliberations are done in secret. Privately. Behind closed doors, only to be interrupted by a welcomed pizza person or bailiff.

These surprising revelations are of no legal significance whatsoever to Michael Jackson – double jeopardy prevents Jackson from being retried, no matter what any or all of the jurors say post-verdict. Yet they are significant for us all – for they are destructive to the integrity of our criminal justice system. There is something very powerfully unsettling about a jury, or rogue members thereof, undermining its own verdict.

In this column, using the Jackson case as a prime example, I will discuss how, when it comes to criminal trials – particularly in high-profile cases – a few minor modifications to the law could save future defendants from similar fates.

The stakes are high – when jurors whose verdict was “Not Guilty” start to reverse themselves in public statements, their comments degrade the sanctity of the criminal justice system, and violate the paramount right of any defendant — the right to a fair trial. They also threaten the spirit of the double-jeopardy clause; despite his acquittals, Jackson may not be at risk in the courtroom anymore, but his guilt is being debated, once again, in the court of public opinion.

Why Jury Duty and Dollar Signs Don’t Mix

To see why situations like that of the Jackson jury are happening, it’s worth stepping back a bit, and looking at the character of jury duty as a whole.

Jury duty. It’s the cornerstone of our criminal justice system. A girder within the framework of our Constitution. A noble commitment that nary an American citizen shall escape – save for those who have themselves been previously convicted by a unanimous group of twelve unfamiliar peers.

That is, until now.

Today – especially when it comes to celebrity trials, or those that become celebrity trials (think Scott Peterson; he was a fertilizer salesman, remember) – being selected for jury duty is almost like winning the lottery. It leads to lucrative book deals. Movie options. All-expenses- paid interviews in exciting cities. The post-trial money-making opportunities for celebrity-trial jurors abound. And it’s all perfectly legal – indeed, arguably protected by the First Amendment.

But should it be? The First Amendment is involved here, but so is the Sixth – which guarantees a fair trial. Might the future prospect of payment for post-mortem, jury deliberation tell-alls cloud jurors’ judgments and affect their decisions?

In high-profile criminal trials, it’s not difficult to imagine an enterprising potential juror with dollar signs in his eyes, and fingers crossed, dutifully answering all the questions of voir dire as if he were channeling Mother Teresa in an effort to be chosen.

And, it isn’t much of a leap from there to imagine an unscrupulous publisher who, with a wink and nod, secretly convinces a juror that his or her advance may include an extra zero should the verdict be, say, guilty. It’s been said that “sex sells,” but acquittals? Eh, not so much.

Jurors are the ultimate triers of fact. When we offer to pay for an account of a juror’s experience in the jury box, we risk changing what the juror has to sell. Put the prospect of making a million bucks in front of a middle-class juror (which most are) and you may create a monster.

And even if eleven jurors have perfect integrity (let’s not forget the admirable ten Jackson jurors who do NOT have book deals), it won’t matter much if the twelfth does not. That twelfth could either hang the jury, or else hold out so strongly for conviction, that he or she batters the rest into submission.

The Case of the Michael Jackson Jurors: Why Did They Come Forward Now?

Looking at jurors Hultman and Cook, I asked myself this: Why come forward now? For that matter, why come forward at all? If they cannot change their verdict (and they can’t), and therefore cannot change the outcome of the case, why speak out?

The answer, sadly, requires little imagination. Obviously, something happened in between what appeared to be an unwavering “not guilty” verdict following several days of deliberation, and August 8th, when they appeared together – on a primetime cable news show – to announce their about-face.

What was it? Did these two people happen to show up at some “Jurors Anonymous” meeting, only to learn the Step Six is admitting when you’ve rendered the wrong decision? Or, were they approached with the prospect of a book and movie deal which (wink, wink) just might make them a whole lot richer if there were (hint, hint) a controversy of sorts surrounding the verdict?

I can’t truly know these jurors’ motivations, but I can hazard a guess based on the timing of events, and the statements they’ve publicly made. I’m putting my money on the book and movie deal because, simply, the revelations of jurors Hultman and Cook coincide with the announcement of their individual books deals and combined television project.

Each juror will be coming out with his or her own book, and both, not surprisingly, will be published by the same publisher. Hultman’s is to be entitled, “The Deliberator”, while the title of Cook’s tell-all is to be, “Guilty As Sin, Free As A Bird.” I imagine that books entitled “Yup, Like We Said, Still Not Guilty” would be a lot less saleable.

How The Jackson Jurors Broke the Law: They Were Supposed to Wait Ninety Days

In California, Penal Code section 1122 states, in part: “After the jury has been sworn and before the people’s opening address, the court shall instruct the jury…that prior to, and within 90 days of, discharge, they shall not request, accept, agree to accept, or discuss with any person receiving or accepting, any payment or benefit in consideration for supplying any information concerning the trial; and that they shall promptly report to the court any incident within their knowledge involving an attempt by any person to improperly influence any member of the jury.” (Emphasis added.)

This is California’s version, but most states, it turns out, have similar statutes – imposing moratoria, but not forbidding jury book and movie deals.

Looking at the calendar, it has not been 90 days since Jackson’s jury was discharged. Clearly, the pair is in violation of the statute — a statute punishable by contempt of court.

How can this violation be addressed? Jackson – or the prosecution, though I doubt it would be so inclined, since it too believed Jackson guilty – could file a motion for an “Order to Show Cause” why the jurors should not be held in contempt. Or the court could issue such an order on its own initiative (in legal parlance, “sua sponte”).

But this is an unusual case: Most jurors would simply have complied with the law, and waited the ninety days. Most publishers’ attorneys would have been sure to advise them to do so. And that leads to an important question: In a typical case, is a ninety-day moratorium on juror book deals enough?

In my opinion, absolutely not.

An Ounce of Prevention: Why Not Do Away with the 90-Day Clause of Penal Code §1122?

There is an easy fix. It’s time to do away with statutes that allow jurors to profit from their duty. Until then, a defendant’s right to a fair and impartial jury of his peers continues to be severely compromised. Forget the ninety-day limit. Let’s just say no to juror book and movie deals.

Even in a society as delightfully entrepreneurial as ours, there are a few things in life that simply mustn’t be for sale. For example, judges cannot take gifts, and lawyers cannot represent conflicting parties, no matter how that might negatively affect a lawyer’s income stream. Nor can a lawyer publicize his client’s secrets to the world – then take refuge in a claim that he was only exercising his First Amendment rights.

Similarly, never should the rights of an accused be trumped by the price tag one juror places on his or her sworn duty to be fair and impartial.

An Acquittal Should Guarantee Freedom – Not Being Tried In the Press By the Same Jurors

The conduct of Michael Jackson’s jurors is downright shameful. In this country, an acquittal should guarantee one’s freedom. And I don’t simply mean freedom from future prosecution, I mean freedom from public ridicule, freedom from suspicion, freedom from having to be berated publicly by the same individuals who set you free.

Comedian Norm Crosby once said, “When you go into court, you are putting your fate into the hands of twelve people who weren’t smart enough to get out of jury duty.”

Today, with potential book-and-movie-deal paychecks that dwarf the $12 dollars-a-day and free lunch of bygone juries, I gotta ask, who’s dumb now?

With The Jury Speaks  kicking off this weekend, this paragraph from Spilbor’s article bears repeating for emphasis:

The conduct of Michael Jackson’s jurors is downright shameful. In this country, an acquittal should guarantee one’s freedom. And I don’t simply mean freedom from future prosecution, I mean freedom from public ridicule, freedom from suspicion, freedom from having to be berated publicly by the same individuals who set you free.

If fans and persons who are knowledgable about the Jackson/Arvizo case needed further confirmation of this series’ intended direction, that confirmation appeared with an article on the Oxygen.com website titled “10 Of The Most Shocking Facts From the Michael Jackson Case.” The article, credited to Kat George, actually consists of few “facts” at all and is, instead, riddled with egregious mistakes and inaccuracies about the investigation and trial. Although it appears now that at least “some” edits and corrections have been made (perhaps following the deluge of angry tweets they received from Jackson fans rightfully correcting these errors!) the piece is still a hot mess of sloppily researched and inaccurate information. Among the most glaring, it credits the rebuttal video Michael Jackson, Take Two: The Footage You Were Never Meant To See to Martin Bashir (this was footage shot by Michael’s own team; Bashir had zilch to do with it) and erroneously claims that there were criminal charges filed against Jackson that were later dropped. Where this information comes from I have no idea! It appears that Kat George is simply confusing the initial investigation with the actual charges (an initial investigation was launched by The Department of Children and Family Services and the LAPD in February of 2003 following the airing of Living with Michael Jackson. After extensive questioning of the Arvizos, both the Department of Children and Family Services and the LAPD determined there was no case, and officially closed the investigation. However, the Santa Barbara Sheriff’s Department then launched their own investigation in April of 2003.  District Attorney Tom Sneddon had  changed the alleged dates of the molestation from “Feb 7th-Mar 10th” to “Feb 20th-Mar 12th” in order to help explain away a rebuttal tape the Arvizos had made in which they sang Michael’s praises as a father figure to them). The dropping of the first investigation launched by the Department of Children and Family Services and the LAPD is most likely what Kat George was referring to, but there is a huge difference between an investigation and actually charging someone!

Initially, the article had repeated the thoroughly debunked media hoax regarding child porn found at Neverland. At least that error appears to have been corrected, but it is still linking to a tabloid article from The Sun that mentions “life sized creepy dolls” being found (which were actually mannequins, and simply one more item in a room filled with hoarded clutter). And really, do we need “Pajama Day” listed as one of the “10 Most Shocking Facts” about this trial? Here Kat George is simply doing the same thing the media did back in 2005, using the spectacle of “Pajama Day” to divert from any real facts about the trial. (To further add to the confusion, the website is using a photo from Michael’s 2002 civil trial against Marcel Avram, making it appear to an unsuspecting public as if Jackson took the witness stand in his own behalf at the 2005 molestation trial. It is the well known photo of Michael taking from a jar of candy while on the witness stand. In the context of a civil trial-which this was-it’s an adorable photo, but if readers are led to mistakenly believe that it is from the molestation trial, it certainly creates the wrong impression, making it appear as if he is treating a gravely serious accusation in a frivolous manner. One almost has to wonder if this was the intent by using that photo, which has nothing to do with the Arvizo trial).   If we want to talk about “shocking facts” from the trial that the public may not know, how about starting with a DA who intentionally changed the timeline of the alleged abuse in order to make his case fly? How about this same DA having a pornographic magazine tested for Gavin’s fingerprints after having knowingly had Gavin touch the magazine?  How about how witness after witness crumbed under cross examination? Or the illegal raid of Mark Gerago’s office, which violated client/attorney privilege? Or the fact that Janet Arvizo had already coached her kids to lie when she scammed JC Penney? Any or all of these (and so many more!) make for far more “shocking facts” of this case than anything mentioned in the Oxygen article, which simply sources tabloid articles.

One can only assume that if the content of that article in any way reflects the overall content of the episode, this can’t bode well-either in the name of factual accuracy or fairness to a now deceased defendant, one whose full acquittal in 2005 should have ended the matter once and for all.  Just as with the Reelz channel’s recent series Rich and Acquitted, these shows seem designed with little more than one purpose in mind-to blatantly defy the laws of double jeopardy and to make a mockery of the justice system, all in the name of sensationalistic entertainment.

Important Update: Just as I was preparing to publish this post, I was informed (thanks to my good friend sanemjfan) of a Q&A session conducted on Reddit by the show’s executive producer, Nancy Glass. I have to say, I was both pleasantly surprised and genuinely encouraged by what she had to say in answer to some fans’ questions and concerns. In the name of fairness-and especially given that I blasted the show pretty good here-I would like to include those responses for you guys.

]dangerouslyblue 2 points 

Hi Nancy,

Will the episode on Michael Jackson be biased and show him in a negative light, or will it discuss the actual facts of the trial without sensationalism? When Michael was on trial in 2005, the media reported a lot of false information that was misleading to the public about what was really happening in the courtroom. Will MJ’s episode shed light on this and show the case for what it really was (extortion)?

Thank you.

 [–]JurySpeaks_Nancy[S] 2 points 

Excellent point. You are right, the public got a completely different view of Jackson than the one presented in court. It was clear to the jurors that the witnesses were not credible. And, the prosecution had no evidence. Some people won’t like the information presented in this episode but, it is a real look at what happened not, what some people wish had happened.

[–]dangerouslyblue 1 point 

Thank you for responding. I truly hope this is an honest portrayal of Michael Jackson and his trial. There is enough “fiction” out there about him, and it’s about time the truth comes to the surface. I will be tuning in!

]bestzeller78 1 point 

Hi Nancy! Big fan. What do you think are the most important characteristics the defense lawyers looked for in jury selection in the Michael Jackson case?

[–]JurySpeaks_Nancy[S] 1 point 

That is a very interesting question. One juror told us she was chosen because she was a mother of three. Believe it or not, that was what Jackson’s lawyer wanted. One said she was chosen because she disclosed that a family member had been molested. Another was chosen because he had no idea who Michael Jackson was.

isthatyouralibi 1 point 

What is this “new perspective” you speak of? On behalf of all Michael Jackson fans, we hope it is code for the truth- that Michael is and always was innocent. Michael was crucified while he was alive, and continues to get crucified in his death by the media spreading lies in an effort to tarnish the legend/beautiful man he was and is inside and out. Hopefully this is all a misunderstanding, and Michael will be shown in a positive light while at the same time providing actual facts and the truth rather than evil myths.

“It is completely irresponsible to pass comment on a criminal investigation that you know nothing about and even more irresponsible to make a criminal accusation and then support it with non-existent evidence.”.

“Even if the media refuses to print the truth about Jackson, they should compromise by not printing the lies either. At least that way he can rest in peace.”.

[–]JurySpeaks_Nancy[S] 1 point 

The new perspective is the fact that the family who helped the DA bring charges were a bunch of grifters who went to several celebrities trying to get money and favors. On the stand they had no credibility. I am saying this as a person who went into this show thinking MJ might have been guilty but, after hearing the jury and looking at the evidence, I have a different opinion.

[–]Sochimynativeplace 1 point 

Thank u for standing up for MJ

Given Glass’s responses, I feel somewhat better and more hopeful that this show may not be the total trainwreck I was anticipating. I’m still not thrilled about Ray Hultman being the apparent major spokesperson for the Jackson jury, but perhaps the opinions of the other four jurors will help balance things out. I am hoping this may turn out to be a valuable lesson that we can’t always judge an entire program based off of a horribly edited trailer, but as the old saying goes, the proof will be “in the pudding” this Sunday night. I will update this post with a full review once the episode has aired. 

UPDATE: The show will also be featuring juror Paulina Coccoz. I hope she will be allowed ample time in the episode to be able to speak on the case as passionately as he has in this recently published Fox article:

Juror Paulina Coccoz is shocked many people still believe Michael Jackson was guilty on all charges of molesting a 13-year-old boy he befriended as the child recovered from cancer in 2003.

The then-46-year-old King of Pop walked free in June 2005 after a nearly four-month trial. While the jurors said at the time they wanted to “return to our lives as anonymously as we came,” some, including Coccoz, have spoken about their experience for Oxygen’s four-night special, “The Jury Speaks,” in hopes it will set the record straight.

“It’s really important for me to share my story because when I talk, even in my daily life to people that I don’t know or even with people I know, everybody still thinks he was guilty,” Coccoz, known as juror #10, told Fox News. “And I find it hard to believe that it’s still going on. That’s not what happened… he was accused of some horrible, horrible things and it’s a sad thing that we lost such a wonderful human being on this planet.

“We need to all look at things for what they were instead of saying, ‘Oh yeah, he was a freak. He was guilty because he was a freak.’ Everybody’s different and God forbid we should all be judged in a courtroom because we’re a freak and we’re guilty.”

Coccoz didn’t always feel that way about the pop star. When the mother of three boys first heard the accusations, she was ready to find him guilty if they proved to be true.

“For me, it was a real sensitive spot,” she admitted. “I took it kind of personal in a way that you would never want something like that to happen to your children. So I really didn’t think or care that he was Michael Jackson. If he was doing these things that he was being accused of, I didn’t feel that I had any problem finding him guilty if that was the case.”

The case first arose after a February 2003 broadcast of the British documentary “Living with Michael Jackson,” in which the entertainer said sharing his bed with children in the Neverland Ranch was a non-sexual act of affection. He was shown holding hands with Gavin Arvizo, a cancer patient Jackson wanted to help, which immediately sparked outrage.

While the family originally insisted no inappropriate contact occurred between the two, Jackson was charged later that same year. Prosecutors claimed at the time the singer gave Arvizo alcohol in order to abuse him.

“I do remember looking at his face and his body language when Gavin Arvizo took the stand,” recalled Coccoz. “It was very obvious he was deeply hurt. You could see that his head was down and there was no eye contact whatsoever. He was taking in all of the testimony and his body language really showed his sadness.”

The jury found the testimony of Arvizo’s family to be not credible. Some jurors even noted Arvizo’s mother would stare down at them and even snapped her fingers at the bewildered group.

“There were a lot of moments where you felt… ulterior motives was money,” she explained. “And it appeared that they were imposing themselves on everyone that they could and they used different opportunities and a ‘feel sorry for me’ scenario. There were a lot of moments, really.

“There were several people, several stars that indicated they really needed something from them. It was very strange that they talked to an attorney and said he was molested. And ironically, it was the same attorney that had something to do with the Jordan Chandler case. So, I don’t know, that raised some eyebrows. It just seemed really, really far-fetched. And unfortunately, the family’s credibility was just horrible.”

In 1993, Chandler’s father accused Jackson of sexually abusing his 13-year-old son. While Jackson always denied any wrongdoing, they reportedly settled the case out of court for $20 million and both parties signed a confidentiality agreement.

The mother also noticed something she thought was peculiar about Arvizo.

“Because I have boys, I guess that’s my experience I’m using to refer to,” she said. “Boys are pretty obvious in their mannerisms. [And] he didn’t seem upset…when you put kids in a situation where they’re suddenly surrounded by adults, you see a different person…when it comes to talking about being molested, I would imagine that’s a very difficult, difficult thing to talk about, especially in front of a lot of people in a courtroom setting. So I can see how it’s something that would be upsetting. [For him], it’s something where it would come across as ‘no big deal, just another day in the courtroom.’

“But also, the emotions that go with a moment that causes trauma or impact on you, especially if you cared about someone or were so enamored with someone who totally let you down. I would think that would be a little more intense…not even a tear or a moment of choking up arose. And that was kind of strange, too.”

The jury delivered the verdict in California Superior Court on their seventh day of deliberations. Coccoz revealed she will never forget Jackson’s reaction.

“I remember looking and I could see that there was a tear running down his face…we were all very emotional. It was a very emotional moment,” she revealed.

And while the courtroom drama came to an end, Coccoz believed the trial haunted Jackson since then. The singer passed away at age 50 in 2009 from cardiac arrest.

“[It] painted a picture of him being this monster when he spent all his life trying to do good things for children, that had to have just crushed him,” she said. “I know it would have crushed me. To rob him of the joy of what he worked so hard (for) in his life was just so, so wrong. I can only imagine for him, that was probably the reason why he had a hard time with finding that spark again. I imagine that spark was just taken away.”

Coccoz added that if the trial were today, she would still stand by her not guilty verdict based on the evidence presented to the jury.

“It was pretty obvious that there was no molestation done,” she said. “It was pretty obvious that there were ulterior motives on behalf of the family. And the mother, she orchestrated the whole thing…that’s my opinion. But there wasn’t a shred of evidence that was able to show us or give us any doubt in voting guilty. It was pretty obvious there was no other way to vote other than not guilty.”

“The Jury Speaks: Michael Jackson” airs Sunday, July 23 at 9 p.m.

Also, at least one of the featured jurors will be conducting a Q&A on Reddit after the broadcast. 

After 8 Years, Where Is Michael In His Spiritual Journey?

Soul Searching: Where Is Michael Now, Eight Years And Counting?

June 25th, 2017 will mark the eighth anniversary of Michael Jackson’s transition. At this point, some may be wondering what stage of transition he is currently in, at this eight year juncture. I don’t have those answers, but I do have enough knowledge and have researched enough on the topic of spiritual transition to offer some possible insight. It is my hope that what I have to say will be a comfort to those who wonder where Michael is right now; in what form he may exist, and if he is still in any way connected to his earthly existence as Michael Jackson.

But I will also offer some pre-warning statements so as to save some of you the bother of reading. First of all, this post is not for you if you do not believe in an after life. It is not for you if are among those who believe Michael faked his death and is therefore still alive somewhere on this planet. In that case, then Michael still exists in his earthly form (which I do not believe). This post is also not for those who may hold so dogmatically to their own religious beliefs that they will only accept their own religion’s version of what happens to us “on the other side.”

However, it may be worth noting that for every person who dies, their experiences in their new realm of existence will automatically be dictated by their own religious beliefs. In other words, whatever we have believed devoutly on earth still colors our perceptions of what we experience in the afterlife. There are many phases along the spiritual journey that will appear to replicate “Heaven” just as there are phases that will replicate the Christian version of “Hell” (Indeed, we are reassured that many souls will falsely believe they are in “Hell” during some transitional phases, but that it is only a temporary penitence; once the soul has undergone the necessary self reflection and growth, they will be allowed to progress to the next stage of transition).

Interestingly, it has been said that those who believe nothing happens to them beyond earthly existence will experience just that-nothingness. But this stage, too, is only temporary as the earthly consciousness is gradually separated from the spiritual consciousness. After what seems an eternal period of deep sleep, they, too,  will eventually awaken to the sight of their deceased loved ones guiding them into the next phase. I found this very interesting and wondered how Michael’s early training as a Jehovah’s Witness might have impacted his after death experience (even though he was not a practicing JW at the time of his death). Jehovah’s Witnesses believe that, upon death, the body and soul simply sleep together until the arrival of the earthly paradise (and/or the ascension to rule with Jehovah in Heaven if they are among the anointed 144,000). In their belief system, there is no such thing as after death consciousness. However, since Michael had long since strayed from many of the JW’s tenets, one would certainly have to question how many of these beliefs he still held to at his time of death. I personally do not believe that Michael exists in a state of unconsciousness, although it is very possible that, due to his beliefs, he may have initially experienced such a state temporarily. Of course, there is also another possibility-that unfinished business may have kept him earth bound and within his earthly consciousness for an extended time. In his case, this is very likely, for reasons I will go into shortly.

Going “Into The Light” Is A Phenomenon Recognized Universally, Across All Religions And Cultures. It Marks The Initial Stage Of The Spirit Journey.

There are several afterlife transitions that are universally recognized and accepted regardless of religion and cultural beliefs. These are stages that have been universally observed and recognized across all cultural and religious boundaries. The first phase-familiar to any of us who have kept bedside vigils with terminally ill loved ones-is that the dying person is greeted by deceased loved ones and/or spirit guides who will assist them in their transition. This is the phase we know and recognize universally as “going to the light.” Although no dead person has ever been able to come back to recount their experience, this is the stage most often recollected by those who have been just “close enough” to have experienced it (i.e, those who have been clinically dead and resurrected) and their accounts are all eerily similar in detail. Most recount it as a very peaceful experience, so much so that coming back into their physical bodies is unbearably traumatic and undesired.

For those who continue into the light, this becomes very much a kind of “welcome home” party. They will be in the presence of relatives, friends, children and spouses from whom they have been separated for years. It is a joyous time of homecoming and of “catching up” and for many, they become convinced at this stage that this is indeed “Heaven” (or whatever variant of Heaven that their own religion dictates). However, this is still only a temporary phase, though understandably, one that many are reluctant to part from. (I have a suspicion that my own dearly departed grandmother, a true chatterbox who could spend hours reminiscing with old friends, may well still be in this stage even after thirteen years! I could imagine she is still “catching up” on her gossip). However, the purpose of this phase is merely a kind of initiation; a way of easing the soul into the afterlife so that no one experiences the trauma of having to go it alone. Also at this phase, the soul is still very much connected to their earthly existence. They still possess the consciousness of their earthly life. They still retain their earthly memories and emotions, which connects them not only to those who have greeted them, but to those they have left behind as well. They will still remember the things that gave them joy and pleasure in their earthly body (favorite foods, scents and yes, even sex!).

But this only applies to those who do, in fact, actually cross over. Unfortunately, many souls become trapped and earth bound, for various reasons. They are initially greeted by their guiding spirits, but for whatever reason,  fail to complete the journey forward. These are the restless souls that eventually manifest themselves as ghosts (apparitions that can be seen or sensed) or, more malevolently, as poltergeist entities. In almost all cases, spirits who remain earth bound are those who died untimely deaths; those who died violently or unnaturally (including many suicides and murder victims); those who died angry, or those with unfinished, urgent business. In some cases, an especially strong attachment to a loved one on earth-or to several-may also hold a spirit earth bound.

With All That Consumed Him In Life, It May Be Small Wonder Why Michael Would Have Remained Earth Bound In Death-At Least For A While.

All of the above criteria certainly applies to Michael, who did die untimely; whose death was a homicide; whose death took place under mysterious circumstances that still have not been resolved; who certainly had urgent business and uncompleted obligations (the This Is It tour); who certainly had many earthly concerns weighing on his mind at the time of death; and who certainly had strong emotional attachments to people he was leaving behind (his three minor children). Additionally, Michael’s earthbound ties would have been compounded many times over by his mass, global world wide following; those millions who mourned his death and who, no doubt, kept his energy earth bound for much longer than the normal duration. (This is true to some extent of all celebrities, especially those who die young and violently and are worshipped on a mass scale-Elvis and Princess Diana come immediately to mind, but I think Michael’s case was particularly unique in the way all of these factors combined. it was a recipe guaranteed to keep him earth bound for a considerably extended time).

Based on what I experienced at the time, I believe that Michael initially experienced only a brief few weeks of conscious unawareness. His “awakening” began in July of 2009 and, as an earth bound entity, peaked around August/September 2009. This was the time when so many of us felt his energy and presence most strongly. Over the years, I have heard and collected many, many stories from fans of their collective “after death” experiences with Michael,and the stories all have an uncanny similarity, especially among those who became, in essence, posthumous fans. In all cases, there was a universal, palpable energy that we all felt; a driving desire to tap into something we could not quite explain. Many who had not been fans of his in life, or who had only been casual fans at best, suddenly felt overwhelmed with grief; with inexplicable sadness, and an urge to somehow “correct” the wrongs that had been done to him. The stories, as I have said, are universally similar. It is normal, for example, that in the wake of most celebrity deaths, we might become curious and more interested in that person for a short while. We might be inclined to read more about them or to research their life; we might feel genuinely sad that they passed. But usually that is the extent of it. However, what happened in the wake of Michael Jackson’s passing was much more; it was on a scale with a mass awakening. To this day, it is a force that remains inexplicable to those of us who experienced it.

It was also during this time that many of us experienced some form of contact, through visions or dreams or other mediums of communication. I recounted my own experience here when I reviewed the Deborah Stefenaik book.  (Interestingly, I have since had a similar, though less graphic, experience with Prince, who still seems very confused that he is actually dead). In hindsight, these experiences were not surprising. in this earth bound stage, Michael was a restless spirit determined to get the truth out, as well as seeking his own answers. This was the time in which his physical body remained unburied, and during which the circumstances of his death were under the most intense scrutiny and investigation. These conditions, combined with the intense outpouring of global grief, kept him earth bound for a quite prolonged period.

I don’t know how long Michael remained in this stage. I can only say from my own experience that i felt his energy most intensely and palpably throughout that summer and into early fall. For me, it began to taper off after September of 2009 and I believe strongly that finally entombing his physical remains had something to do with it.

Finally Being Entombed-Over Two Months After His Initial Passing-Seemed To Resolve Some Of His Restlessness.

Also, as more and more people began to take up the mission of uncovering the truth about what had happened to him, he may have finally become satisfied that his mission was completed. Nevertheless, others did continue to have and record experiences (not that I necessarily believe all of them; there are a lot of charlatans out there, but I do believe many of them are genuine). All in all, it would appear that Michael remained in this earthbound phase for anywhere from at least six months to a year. During this phase, he was still very much connected to his earthly existence as Michael Jackson; his consciousness was still that which he carried in his physical incarnation; his earthly memories were still intact. But like a kid at play, he was reveling in the newfound freedom of being able to take any form he chose; to project himself into any consciousness sensitive enough to pick up on him; to converse with anyone he chose at any given time and to be in many places at once.

An earth bound spirit can still eventually transition. Sometimes they require assistance to do so; other times, they simply evolve to a stage whereby they can make the transition on their own. When this happens, it means they are finally experiencing what more fortunate souls were able to experience from the very beginning-that time of bliss in which they are allotted to spend with the loved ones who have finally welcomed them through the transitional process. I don’t know exactly when this happened for Michael, but I do believe strongly that by late 2010 he had definitely “crossed over.”

One thing I have learned from my teachings is that there is no definite time table that exists in this realm, and every individual’s experience is different just as the needs of every individual will differ. Ultimately, each progression is about the evolution of the soul to its most pure spiritual essence-what some call “The Spiritual Plane”-and that journey is quicker for some than for others. This is the stage at which soul and spirit finally are joined as one entity and all ties to earthly existence have been severed. But this destination can take decades, or even centuries.

“Life Review” is often cited as the next phase of the journey. From all the descriptions I have read, most souls-especially if they have been steeped in Christian teachings-will certainly assume that this is the period of judgement. However, the difference is that, while all of their earthly actions are reviewed, the purpose is less about judgement and more about the need for the deceased to learn and grow from the mistakes and sins they committed on earth. During this time, the person’s entire life is played before them (some mediums say it really does resemble a personal theater, where the deceased person watches their entire life projected onto a huge movie screen!). But it is not over in a single viewing. The person is shown their entire life through their own perspective, and then, one by one, through the perspective of every individual involved in their life. It is here that they learn exactly how their actions have impacted others-those they have helped by their actions; those that they have hurt by their actions. Every deed is accounted for.  From here, they will enter a stage of purification (a time of intense reflection and penitence). Some souls may interpret this stage as banishment to Hell, as it is a time spent in isolation,but it is said to be only temporary. However, this stage can be considerably long, or of relatively short duration. If the individual lived a mostly righteous life, and/or if they resolved many of these issues in life (practicing forgiveness and making restitution to those they hurt, for example) then this stage may be relatively short.

I could only imagine that, given the life Michael Jackson lived and his status as a global superstar and icon, his life review has probably been an exceptionally long one. Imagine a review in which everyone  impacted by the life of Michael Jackson-everyone he ever encountered, no matter how briefly- must be accounted for. If one imagines how his life and career was encapsulated in that wonderful Lifetime Achievement montage, just imagine something similar only now including not only every monumental career achievement, but also every personal relationship, and every incident from many multiple perspectives, and one can see how Michael’s life review could certainly be both monumental as well as utterly draining and exhausting. When we consider that even the average person still impacts many lives, one can only imagine how much this is compounded for the public figure whose life has impacted millions, both directly and indirectly. Imagine being Michael and forced to re-live and reevaluate that endless parade of managers, record executives, tour promoters, every hanger-on; every partner; every accuser, every fan; every leech; every friend; every acquaintance; every employee, every relative, etc etc must be considered! A review in which every choice made; every action; every word, both public and private, and every consequence must be weighed and evaluated! Imagine a process whereby he must re-live not only every action he has done onto others (both good and bad, for whatever that is worth) but also, again, every action done unto him. That means, yes, every betrayal must be re-lived; every knife in the back experienced all over again. It means not only experiencing, again, the thrill and high of every concert, but also the entire scope of every trial (imagine his four month ordeal of the Arvizo trial expanded indefinitely and you get the idea!) But, for all the pain, there is joy as well. He will re-live the births of his children; he will experience again Grammy night of 1984; he will embrace Ryan White; he will feel again his grandparents’ caress; this is all part of the experience, the pain as well as the joy and bliss).

Can You Imagine The Epic Scale Of THIS Life In Review?

Given the immense scope of Michael’s life, he may very well still be in the stage of Life Review. But it depends, as I said, on a number of factors. If Michael had resolved many of his life issues before passing, this stage will be reduced considerably. But often those who die untimely or unexpectedly do not have the necessary time on earth to make these kinds of restitutions. Thus, the stage of purification may take longer.

After purification, the soul has evolved to a new level of growth and is ready for servitude. It has been said that many choose to continue in some capacity whatever roles they fulfilled on earth. For example, a teacher may still desire to teach; a caregiver will still wish to serve others. Many choose to become spirit guides. At this stage, there is no longer earthly conscience (the ties of their former life are broken after purification and after all lessons from that earthly life have been learned) but they may still choose to periodically watch over loved ones left behind. I can imagine that Michael would choose to spend his time of servitude in some healing capacity, or perhaps he is still performing and providing comfort and joy to other souls still progressing through their journey. So often in the past eight years, whenever some major tragedy strikes, I have heard people say, “If only Michael was still with us, he would know what to do or say about this; he would know how to bring us together.” If Michael has indeed reached the stage of servitude, then we can be rest assured that he is not only well aware of these earthly events, but is working diligently to help those victims who are transitioning to their own spiritual phase.

Michael Jackson In Servitude Will Still Be Fulfilling His Life’s Missions: Just In Different Form

I suspect at this stage of his journey that Michael’s spirit is somewhere between the phases of life review, purification and servitude. I do not think he has yet achieved the apex of soul/spirit unification-or what many religions refer to as “Bliss”-just yet, as that is a process that takes many decades or even centuries to complete. If we consider that Michael only “crossed over” from earthbound entrapment a little over seven years ago, that is not a long time in the spiritual journey. However, I believe strongly that Michael was already a highly evolved spirit, which is going to make his transition much easier and speedier than it might have been otherwise.

After eight years, I do not feel that palpable sense of energy and urgency that I once felt from him. I don’t feel the anger, desperation or intense sadness that I once felt from his energy, which tells me at once that he is both at peace to some extent and has let go of much of his earthly connections. But it says something else as well: That he has also moved further away from us. I don’t know what the experiences of others have been (I hope some will feel free to weigh in). But I do feel his essence, every single day. It is a much lighter energy now, minus the heavy oppressiveness of before. I am not naive. I know this comes at least partly from having evolved, myself, to a point of acceptance. When Michael died, I grieved intensely, but over time, even the most intense grief gradually fades to acceptance. I know that is part of it, but it is also something more. I am not sure if he is at peace, but I do think he has evolved to a stage that is much less concerned with ties to his earthly existence and memory. If that is so, it is a reality that is, of course, much sadder for us than for him. As Michael himself once wrote in his poem “Are You Listening,” he was well aware that “from Bliss I came” and “To Bliss” he would return. In that poem, he spoke of the power and eternalness of that which we call “Essence:”

Eons pass

Deep inside

I remain ever the same

From Bliss I came 

In Bliss I am sustained…(Michael Jackson)

 

Bliss is, indeed, the state of all energy in its purest and most evolved form. Religions that believe in reincarnation also believe it is only here that souls can either become born again in a new physical form, or else have transcended the need for further incarnation altogether  (This may explain why Michael chose the line, “From Bliss I came”). In that poem, he also reminds us that “This body of mine/Is a flux of energy” and goes on to speak of that energy as eternal. His poem is really just a reminder of what we are already well aware: That flesh is temporary; the soul transcendent, and that the energy of spirit-that which we call essence-is forever. Even in his art, we often see how Michael was continuously playing with the ideas of life, spirit, and resurrection, always reminding us that he-like all of us-was both temporal and transcendent; perishable and transitory, yet ever eternal.

In both “Is It Scary” and its later incarnation, “Ghosts” Michael depicts himself dying and being miraculously resurrected. But in the earlier “Is It Scary” we actually see the process of the physical resurrection, whereby it is through pure love and faith that he is risen out of his own dust and pieced together again. He was also similarly “resurrected” in “Moonwalker.” Even his idea for the “Unbreakable” video (which never materialized) was going to portray him as a dancing skeleton who has been resurrected, bone by bone, after a nasty fall that has broken him into pieces. 

In reflecting on the eight years since Michael left us, I am reminded more strongly than ever that it really does not matter where he is, or what stage of his spiritual journey he is in. What truly matters is that, as Maya Angelou so eloquently stated, “We had him.”

“We Had Him” by Maya Angelou

Beloveds, now we know that we know nothing
Now that our bright and shining star can slip away from our fingertips like a puff of summer wind

Without notice, our dear love can escape our doting embrace
Sing our songs among the stars and and walk our dances across the face of the moon

In the instant we learn that Michael is gone we know nothing
No clocks can tell our time and no oceans can rush our tides
With the abrupt absence of our treasure

Though we our many, each of us is achingly alone
Piercingly alone
Only when we confess our confusion can we remember that he was a gift to us and we did have him

He came to us from the Creator, trailing creativity in abundance
Despite the anguish of life he was sheathed in mother love and family love and survived and did more than that

He thrived with passion and compassion, humor and style
We had him
Whether we knew who he was or did not know, he was ours and we were his
We had him

Beautiful, delighting our eyes
He raked his hat slant over his brow and took a pose on his toes for all of us and we laughed and stomped our feet for him

We were enchanted with his passion because he held nothing
He gave us all he had been given

Today in Tokyo, beneath the Eiffel Tower, in Ghana’s Blackstar Square, in Johannesburg, in Pittsburgh, in Birmingham, Alabama and Birmingham England, we are missing Michael Jackson

But we do know that we had him
And we are the world.-Maya Angelou

 

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